Just a short post. Teaching the Open University’s technology foundation course a couple of years ago introduced me to the idea of crowdfunding – I’m sure I’d have encountered it anyway, but seeing it as part of the wider picture of the social revolution added an extra dimension. Of course, crowdfunding isn’t entirely new; people have always subscribed readily to popular conventional share issues, not just in the privatisations of the last few decades but in the 19th century railway boom and earlier (look up the South Sea Bubble for one that historically went badly wrong). What’s different is that the reach is extended via the Web to people who might not otherwise think of being subscribers; and the range of rewards, while often creative and interesting, doesn’t extend to ongoing shareholder participation.
Shortly after learning about the idea, I joined one crowdfunding initiative as a result of which I now own a board game called Dreaming Spires which is about to have its official public launch. And now another, firmly in the realm of the Arts.
We’re supporting members of the Brighton Early Music Festival (BREMF) which is a music festival with a difference. Not just early music concerts of a considerable excellence – and this year we were privileged to be part of two of them, built on choral and instrumental workshops we attended. But also projects which present the music in a new light, set in its historical context. This year, for example, we learned of the developments of “new” music as the style moved from Renaissance to early Baroque; feelings ran high, and “the old music” was held by some as a standard which the newer styles were pushing aside.
Next year’s BREMF will look at women composers, and the festival wants to stage what we’re calling Free Ruggiero (it has a long Italian name) which is the first complete opera known to have been composed by a woman: La Liberazione di Ruggiero dall’Isola d’Alcina written in 1625 by Francesca Caccini. If you apply for Arts Council funding you need to show you already have backing from other sources, and BREMF are raising this by crowdfunding through the Zequs platform.
Visit the Zequs page to find out more, if early music which challenged the norms and set ideas appeals to you. As I write, you only have nine days left to subscribe!