LinkedIn in the news (and its hidden resources)

Two media notes from LinkedIn this week: an enterprise which I always take an interest in because, as well as being a user, I visited them in Silicon Valley some years ago.

Through Outsell, which is a media analyst and (among other things) monitors analyst firms, I was connected to an article on VB which covers a LinkedIn tool called Gobblin. It’s been developed to gobble up, and improve LinkedIn’s use of, the wide range of sources which it uses. With many different inputs to reconcile (a task I’ve done bits of, on a much smaller scale, in the past), the development is clearly driven by necessity.

VB calls it “data ingestion software”. The interesting thing is that LinkedIn doesn’t treat these kinds of developments as proprietary. So the announcement explains that the software will be released, available to all kinds of other enterprises with similar needs, under an open-source licence.

Almost the same day, Outsell also flagged a report that LinkedIn is expanding its reach to embrace younger members (high-school students, in US terms) and will provide a specific capability for higher education institutions to promote themselves. This will, of course, increase the data ingestion requirement.

Interestingly, I had to use Google to find LinkedIn’s press release archive; there’s no link to corporate information on the regular user page so far as I can see. And there are no press releases showing at the moment related to either of these news items. However, via Twitter, I found a discussion of Gobblin from analyst GigaOM with, in turn, a link to another “hidden” section of the LinkedIn website: LinkedIn Engineering. That’s the primary source and it has diagrams and a useful discussion of the analysis and absorption of unstructured “big data”. Interesting to me, because I cut my database teeth on text databases when I moved from University computing to enterprise IT.

When I visited LinkedIn, on a Leading Edge Forum study tour, they were still a start-up and it wasn’t clear whether they had a viable business model or met a real need. It was their presentation then which decided me to sign up. Well, a good ten years on the company is still not in profit although revenue, in the last quarterly results, had increased by almost half year-on-year. The business model is still standing, at least.

MLinks:
• LinkedIn
• LinkedIn details Gobblin …, VB News, 25 Nov 2014
• LinkedIn expands for high school students, universities, Monterey Herald Business, 19 Nov 2014
• LinkedIn explains its complex Gobblin big data framework, GigaOM, 26 Nov 2014
• Gobblin’ Big Data With Ease, Lin Qiao (Engineering Manager), LinkedIn Engineering, 25 Nov 2014<
• LinkedIn Announces Third Quarter 2014 Results, LinkedIn press release, 20 Oct 2014
• Look for LinkedIn information here: Press Center; and Engineering

Crowdfunding: not just for geeks. Help Free Ruggiero

Just a short post. Teaching the Open University’s technology foundation course a couple of years ago introduced me to the idea of crowdfunding – I’m sure I’d have encountered it anyway, but seeing it as part of the wider picture of the social revolution added an extra dimension. Of course, crowdfunding isn’t entirely new; people have always subscribed readily to popular conventional share issues, not just in the privatisations of the last few decades but in the 19th century railway boom and earlier (look up the South Sea Bubble for one that historically went badly wrong). What’s different is that the reach is extended via the Web to people who might not otherwise think of being subscribers; and the range of rewards, while often creative and interesting, doesn’t extend to ongoing shareholder participation.

Shortly after learning about the idea, I joined one crowdfunding initiative as a result of which I now own a board game called Dreaming Spires which is about to have its official public launch. And now another, firmly in the realm of  the Arts.

We’re supporting members of the Brighton Early Music Festival (BREMF) which is a music festival with a difference. Not just early music concerts of a considerable excellence – and this year we were privileged to be part of two of them, built on choral and instrumental workshops we attended. But also projects which present the music in a new light, set in its historical context. This year, for example, we learned of the developments of “new” music as the style moved from Renaissance to early Baroque; feelings ran high, and “the old music” was held by some as a standard which the newer styles were pushing aside.

Next year’s BREMF will look at women composers, and the festival wants to stage what we’re calling Free Ruggiero (it has a long Italian name) which is the first complete opera known to have been composed by a woman: La Liberazione di Ruggiero dall’Isola d’Alcina written in 1625 by Francesca Caccini. If you apply for Arts Council funding you need to show you already have backing from other sources, and BREMF are raising this by crowdfunding through the Zequs platform.

Visit the Zequs page to find out more, if early music which challenged the norms and set ideas appeals to you. As I write, you only have nine days left to subscribe!

Links:
• Free Ruggiero on Zequs
• Brighton Early Music Festival (not just in the season)
• Dreaming Spires on Kickstarter